Can you imagine the frustration?

A long, long time ago (I can still remember) Mr M and I decided that the next step was Barcelona. That was good. Then I applied for Uni, and I got in. That was good too. And now September is at the doorstep and we have no flat. Now, that's not so good.

Plus, I am having all this nesting cravings. I want chairs, tables, shelves and plates. A bit like when I moved to Oxford, only worse because I know the space will be more ours, and not a standard university flat.

I've even been to Ikea (I needed a trip so badly, there was no Ikea in Oxford), and been unable to get anything because I cannot even imagine where will we end up (although there is a place I'd looove to get other than the mentioned in flat love. Send good vibes this way and I'll tell you all about it if i get it!).

I'll leave you with images of one of my life cravings: blackboard paint. I'd paint everything in it. I'd paint myself in it. I still don't know why, but I love it.

Kinda not here

Oh dear.
I am packing. Have I ever mentioned I do NOT like to pack whole flats?
Everything within my eyesight needs to be boxed or given away or thrown away.
What do you do with usable paper? And sewing needles? And glues?
Enough procrastination. The boxes are calling me.

He's done


Today Mr M. had his last exam of his MA at Oxford. When it's your last exam you wear a red carnation on your cloak and exit the exam building through a different door. Just to see his face as he was coming out that gate, his huge smile, his shaking, it has been all worth it. Just to be able to cheer him as he walked out knowing he was done, it has all been worth it. Just to have him this happy jumping to The Killers, it has all been worth it.

Sometimes life just gives you a nod. It's the first day of the rest of our lives.

I'm a juicer machine killer

I have returned three (3!) juicing machines in a month. I'm off to return my last one (I got it yesterday). I cannot believe it (they are all different brands, too). I have worked in a juice bar. I know how to operate them. Why do they die on me like that, then? My mini-flat is full of packaging that needs to be kept and we are really good at repacking things, by now.
I'm really grumpy.

Pitt Rivers Museum








Mr. M and I went to the Pitt Rivers Museum (inside the Natural History Museum in Oxford). What an odd delight it was! The museum is on of those fascinating places that British people do so well (despite being started by that colonial mentality: "you savage do wonderful things, I shall take them away and preserve them far away from your savage hands"). It's all organized like an old-fashioned museum, all glass cabinets and crammed. I could have been there for hours. You get a torch on your way in to explore all the corners. There are no large explanation but tiny handwritten labels on the objects themselves. Mind you, the shrunken heads and so on weren't that lovely. But I'd recommend that if you ever happen around here, pay this curiosity-packed spot a visit.

Ross Noble


I'm going to watch this man tomorrow. It's not conventional, but I laugh my heart out.

"Chef Marshall Easter Egg"


Here's how to name aproduct so that you can avoid lawsuits. Not vegan, but so much fun!
See here.

:)

I
AM
WRITING
FROM
HOME
!

Yeah! We´ve got internet (only 5 months late!)
Yeah! Yeah! Yeah!

Regina Jose Galindo



Mr. M. and I checked out what's up in the Museum of Modern Art and again... umph!

The performance work of Regina Jose Galindo is not easy. It is actually rather brutal. She mostly works by inflicting on her own body the treatment others receive in war, punishment, prison, etc. She also has more social issues based projects, such as one where she is drawn with all the lines charactheristic of cosmetic surgergy.

Rotozaza's Etiquette


ROTOZAZA'S ETIQUETTE on Bloomberg 'Muse' News from rotozaza on Vimeo.

Mr. M. and I went to play (and see?) this experimental piece. It takes place in the middle of a crowded cafe. You get a set of headphones, he gets one too. You have a series of props. An audio (different for the two of us) indicated what to say and do. It was a very weird feeling talking to him without knowing what he was going to reply (Or being told what to tell him, for that matter). Beautifully put together.

snowy posts

I still love you, but there's no internet at home (YET), and the snowiest, coldest winter in the UK for the last 20 yrs.
I'll be back...

Janet Cardiff and George Bures Miller




Mr. M. and I almost missed the exhibition "The House of Books has no Windows". Almost, but we didn't. And I have to say that I'm so, so terribly glad for it.






Janet Cardiff & George Bures Miller have "designed" this haunting exhibition, that (as far as I am concerned) deals with memories, relationships and has as well a very educated inspiration (stories by Borges, Kafka, etc.).



The use of media is just right. You find yourselves listening to old voices coming out of books, images, playing just as you pass by. You can look into a model of a cinema, and listen to what a couple are saying (the man "speaks" on your left year, the woman on your right).



It's almost Louis Bourgeois-esque: the absence, heavy in an artificial room. The time, visible somehow. Just more interactive.



I cannot describe how much I liked it, how much I savoured the sensitivity and the intelligence.



If they ever show around you, please, please go.


Monkey portraits



There's this absolutely grand bookstore here in Oxford that specializes in Art and Design. Now, this is terribly dangerous, so i try to go there as little as possible. But a couple of days ago, the taxman has been really, really nice and returned a little money to me. You see where I'm going, don't you? Books are one of the only things I cannot resist, as you already know. I have to say I was very, very good; I only got the Taschen hardback edition of Women artists (really good, by the way), and this little gem. The book was found on a shelf by Mr M., and it just struck some weird cord within us immediately.






Jill Greenberg is the artist that, some years ago, was considered controversial and evil for taking portraits of crying babies (remember?). These portraits are kind of mind blowing. The animals are so obviously intelligent, feeling beings, aware of their own existence, even reflective. And they are sometimes physically puzzling, like if nature copied cartoon characters. And then there's Jill's lighting effects that make it all so "plastic". Wonderful.

Martin Langford


"It's getting darker and colder, and my day job is swallowing my time and energy up, and I can't do my thing." I was ranting something like that when Mr. M. decided I needed out of the house (I had a free day today). So we walked to a nearby gallery where I found Martin Langford's work on exactly the same issues. I have unfortunately not found many of the exact images I've seen in the show, but you get the idea. (Title of image above, Work, home, work, home).

False alarm

No cup of cocoa in the warmth (relative warmth, must say) of our flat whilst posting. Internet is NOT coming just yet. I am GRUMPY. GRUMPY GRUMPY GRUMPY. Now the date to look forward to is mid december. Grumph.

the internet may be coming to me...


... we've had these hanging from our corridor for a couple of days....
Maybe the internet is coming to us!
Right now we have to go down four floors, cross a little roundabout, enter another building and plug a cable in a crowded room to get it.
Can't wait to write these cozy-ly on my sofa, with a rooibos.

Today...

It's my birthday today (yep, I'm a day younger than Mr. M). It has started with an extra, extra early shift at the jop (day job), with a massive delivery and just two people to sort it out. It has resulted in the shop opening more than two hours late. I was so tired I've cut myself repeatedly (accidentally, we work with sharp boxes and papers and knives), and even bumped my head harshly against a table edge (accidentally, too). I breathed in, finished my shift and got home, where I made myself some tea. And I've spilled the boiled water over my hand. I therefore decided I would ignore today and postpone my birthday until my next free day. But as I logged in I found loads of birthday wishes on my Facebook. I am far away from lots of people, and I'm terrible at birthdays myself, but it's made my day. They don't read the blog, neither do the girls i work with. But thanks, all of you, for making an awful day better.

Living art


When we first saw our flat, I felt a bit... umph. We had already agreed to renting it (it belongs to the University, so it's affordable and we are surrounded by fellow student families and couples), so we had to stick to it. The couple who had it before had not moved a single bit of furniture, and had not put up any photos or pictures. they had no flowers or fruit bowls. It felt so cold, I was taken a bit aback. But now we've been there for a month, the place has a bit more of life. We have moved the furniture about so that it suits our needs (working, living), and we have injected a bit of color into the rooms. We are going to be there for 10 months, it's owned by the Uni and we are broke. This means no Eames chairs (some day...), or vintage wooden tables, or plush handwoven textiles. It means make do with as little as possible because it's provivional and it was half-furnished (grr, ugly, ugly, ugly). We can't even really hand things on the walls! But, ha!, we can stick things to the walls!

And this is what I wanted to tell you. How it marvels me how two pieces interact when they are placed next to each other. A narrative evolves, and the pieces acquire a whole new meaning.
(Pic before, the Moomin and "Eliminate with softness" from my sister).




These are on top of our "sofa". They are acrylic portraits of Mr. M and me, with all the testing of the print I posted about some days ago (still to come to the shop). When the two portraits are shown together, they have a sense of unity, of "us". And with the prints, it' a full on declaration.

I wake up everyday to this wall. I consider it a work in progress. Little bits and pieces are added as they join the family. You can see pieces I've talked about. The two top sketches are studies for the portraits on top of the sofa. Then there's a Betsy Walton; a Louise Bourgeois handkerchief for Third drawer down (it reads I've been to hell and back, and let me tell you, it was wonderful). This contrasts the ad man print (from Bricklane in london), which claims It's going to get worse. There's my new Sandra Jutos (see some posts before), and the Mon petit phantome owls. Oh, and the ukio-e images (search old post).It all speaks about life and growth to me.



Then there's another Betsy Walton, with a random image from a flyer and a cut out from a movie ad that reads "Sometimes life brings strange surprises". And I find a connection in the sense of awe and surprise and love of life.



This is my "journey" wall, with more Ukio-e and an Ashley G and Drew.


And these are doors, to our bedroom (Ashley G and Drew again), with decals from Tasty suite (you've heard about them before, too). And the front door, with a ahnd crocheted robot from the V&A in london, and another decal.


Kimonos!


I am slowly finding my ways around Oxford, and today i've had a thrifty day. I first passed by Oxfam where they had a special camera sale (including a lomo at 99p! Shame it was the same I have), and then I found a poster pointing to an Alley I didn't even notice, and i found a dozen of elderly ladies selling bits and pieces. But they were closing and I moved on to the Oxfam book fair. Oh, yes. You know that as far as books are concerned, i am a sinner.






And forgive me, readers, for I have sinned. I have bought the catalogue of the Great Japan Exhibition of Art of the Edo period (1600-1868), by the Royal Academy of the Arts. And the main reason were the Kimonos. The impredictability of the colors and patterns and motifs to my western eye! Ihave taken shabby pics of them for you to check them out:


Galeria Brasil




This Saturday Mr M. had his Matriculation. This meant he had to get his "Harry Potter" look on (remember, this is Oxford) and get pictures taken. That did not take too long, and I had taken a day off to be with him. So we explored Oxford a bit more.





I had been hearing lovely things about Cowley rd, which is a bit like London's East end: multicultiral, alternative, young, arty and second-hand-ish. You get the idea. And there I found the first lovely treasure in my mental Oxford map.





Oxford has plenty of small independent galleries, buit this one was bolder, more vibrant and full of light. It happens to be Galeria Brasil (33 Cowley Rd). The Brazilian owner displays the work of Brazilian craft-makers and artists. It reminded me badly of my much beloved Cape Town. The energy, the will, the beautiful results of make-do. She was fantastic herself. If you ever pass by, say hi, have a look, breathe it all in. And buy something (the prices are very decent).

PS: Isn't all the crockery just beautiful? And the cock sculpture?

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About Me

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Madrid, Spain
Trained as a Product designer and in Fine Arts (a bit). Now a MA student of Contemporary Art History and Visual Culture. Passionate about culture, trends, rituals and people (and vegan food). Proud owner of Nosideup Etsy store. See more at http://www.mariagilulldemolins.com

When I grow old I want my blog to be...

Nosideup @ Etsy

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